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She also skillfully employs flashbacks to filter the present through the past thus, Surjan’s son’s drowning is reprised, differently each time, as memory, nightmare and wishful “if only” speculation. Helmer Kagti proves particularly adept at portraying the irresistible pull of this odd, obsessive attraction, which runs concurrently with the script’s more action-filled twists and turns. Always seeming to know more than she is telling, she lures him, with equal parts cryptic irony and sensual provocation, toward the answers he seeks. Surjan, who spends his sleepless nights riding around the red-light district, begins to form a strange bond with a hooker named Rosie (Kapoor). Roshni’s pursuit of a clairvoyant neighbor (Shernaz Patel), who claims to communicate with the dead, further estranges the couple.
Meanwhile, in a respectable part of town, Surjan’s wife, Roshni (Mukerji, vivid in a quietly sympathetic role) mourns the loss of not only her young son, but also her husband, shut down and impenetrable in his grief. Not one for paranormal explanations, Surjan grimly pursues his investigation, which takes him from the luxurious penthouses of the rich to the tawdry brothels and teeming streets of the red-light district, where the actor’s death triggers a firestorm of blackmail, cover-ups and murder. Surjan Sekhawat (Khan), a newly transferred cop with an impressive reputation, dismisses underlings’ superstitious stories about other strange deaths occurring along that stretch of road. Next morning, cops and passersby are shocked to discover the car contains the dead body of popular film star Amaan Kapoor. The vehicle inexplicably swerves, hits a stone embankment, flips over and plunges into the sea. The film opens with a bang: A dog belonging to two sidewalk beggars howls mournfully and scoots off just before a car comes barreling down the empty road.
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